A collection of more recent work

This was a really fun job with a very quick turnaround with the great team at Electric Theatre Collective. Directed by Los Pérez

A really fun job I worked on with the lovely team at Black Kite Studios

Another instalment for the Direct TV campaign, this time with the legendary Coach Prime! Once again working alongside the team at Untold Studios

Really fun job with the folks at Untold Studios. A couple of iterations for some gruesome scenes.

Yet another great project with the fantastic team at Untold Studios

Another chance to work with Director Henry Littlechild which is always welcome. Really fun job to work on

A lovely project to work with the awesome Henry Littlechild for House 337. Really fun project to work on and super happy with the final ad

A really fun job with a pretty quick turnaround for the folks at Untold Studios

A lovely job to work on with the peeps at Electric Theatre Collective. Directed by the wonderful Sam Brown

A lovely project to work on with the folks at Untold Studios. The project moved on a fair bit after my involvement but was a pleasure all the same

A really fun job with the folks at Selected Works. Pretty quick turnaround and a mad idea!

Some of the development work I did with the great team at Time Based Arts. Lots of fun on a quick turnaround.

A selection of pitch work that never saw the light of day

Thought I’d upload some of the visual development for a project that never happened, to show some of the processes I sometimes employ. Every project is different and differing methods apply to resolve differing issues. These guys were for a last minute pitch and so only had a couple of days to knock out the designs.

Yet another lovely job with the peeps at Untold Studios

First time working with the good peeps at Selected Works. Was a super fun job with a super quick turnaround

Yet another awesome job with the good folks at Untold.

An interesting job for a surreal moment in the film, with the lovely people at Lipsync

A super fun job I worked on a year ago with the lovely team at Nineteentwenty. Great to see it on screen

A fantastic opportunity to work on this amazing directorial debut from the incredibly talented Taylor Swift. Working with the fantastic team at Parliament. Have I used enough positive words yet?

Yet another job with the Untold gang. This one was a real blast! Almost too much fun. I love the finished add with the awesome Swayze (God rest him) soundtrack

A really fun sequence to work on for HBO

A great project to work on with the lovely team at Parliament VFX. I really enjoy working on these sequences

Another job with the fantastic peeps at Untold. Was a fun job rebranding for the Lionsgate streaming service.

This was a fun job with the folks at Lipsync Post. Feels like I’ve been waiting forever to show this.

This was a really fun show to work on with the folks at Archery. Really enjoyed tapping into my inner nerd for this one.

This was a really fun commercial to work on with the wonderful team at Untold. Had a great time working on this one

Had the privilege to work with the wonderful team at Nineteen Twenty on this advertising campaign for the British Army, from Director Nicolai Fuglsig. A thoroughly enjoyable experience.

This was a lovely project to work on with the fantastic team at Outpost VFX.

First project with the team at Untold

This was nice job to work on with the lovely folks at Outpost VFX. Some initial concepts for the opening of the vault, a pivotal moment of ‎Isaac Asimov’s epic sci-fi series.

This was for an animated section for a live action project that I worked on at the beginning of 2021. Unfortunately the animated sequences were dropped for creative and continuity reasons. But it was a great learning experience none the less, in a completely new style for me.

Another fun job with great team at Outpost VFX. Exploring ideas for Knox’ death scene and the book of life.

Just some personal projects

Jonathan Strange & Mr Norrell is the screen adaptation of a much loved novel by Susanna Clarke commissioned for The BBC. It was a fantastic project to work on, working closely with the Director Toby Haynes was a real pleasure. I think we managed to create a brilliant visual language for this project in the short time we had and I hope it in some way holds true to the original novel.

Here is a collection of some of the designs I've done for Dr Who over the many years I've worked on it for The BBC. It was a pleasure to work on such a well established and much loved bastion of British television.

Another Dinosaur Pitch from 2020

Dinosaurs in the Wild is an interactive experience taking you back to the Cretaceous period, developed by Tim Haines. It was an immensely challenging and rewarding experience. Working alongside the paleontologist Darren Naish to create accurate representations of these ancient creatures, according to the latest scientific knowledge. The opportunity of conveying these findings via the 3D artist Jason Brown was an incredibly rewarding one and a fantastic learning experience.

Electric Dreams is a collection of stories set in a Sci-fi dystopia commissioned by Channel 4 and Amazon Video. I was lucky enough to get the opportunity to work on a couple of designs.

Class is a Sci-fi series set within the Dr Who universe developed for The BBC. The action takes place in a boarding school where all is not what it seems...

Beowulf is a fantasy drama adapted for Television by Tim Haines for ITV Studios. It is loosely based on the old Saxon poem of the same name. I had the opportunity to design several creatures and environments to help bring this world to life. 

The Bastard Executioner is a dark fantasy television series created be Kurt Sutter. The creature extrudes itself from a dragon branding on the protagonist's arm and is made of burned flesh and bone. Included are designs for multiple weapons that it's limbs are able to morph into.

This was a series of boards done for a pitch in 2018. It’s a little rough around the edges especially at the beginning. I got to work on about ten more of these after helping to win the job. Hopefully I’ll be able to share that and a whole bunch of asset design in the new year

A collection of other work from 2013 up until the 2017.

Some of the work I did on Good Omens for the BBC